Polarity/1, the multi-genre artist bad noted for bold, honest, hard-hitting songs, is re-releasing his hit album, Yankin' the Cooking Chain, instantly with re-mastered tracks. Polarity/1's bebop has been incorporated by dance theatres and documentarists, including Danny Schechter's feature-length movie documentary 'In Obligation We Trust' and Battery Dance Company's 26th Annual Downtown Dance Festival endure year.

Yankin' the Bread Chain fuses electronica, acid jazz, alternative and electro-folk to constitute a fix of funky-fresh beats infused with crucial political messages to likely generations. The cold sober issues covered on Yankin' compulsion listeners to reanalyse their own ethics, remarkably when cornered with their own self-images in "Look at Your Shoeshine": "Can you gaze yourself in your shoeshine?/ System back!"

From the excitingly chilly vocals of "Salesman," to the persuasive political raps endow in "News Goo," to the astoundingly valid lyrics of "Di Hard" ("The capital die young/ and the dangerous carry paid"), Yankin' has something to bid every music-lover. Conceivably most notable, though, are the album's funky, upbeat tracks, such as "Boomers Blues," "Jam Inya Jimmies" and "Cincinnati Pink." With lyrics analogous "She's catchin' the groove and won't let go," it's clear that once you settle on this Polarity/1 record, you won't be letting get-up-and-go of the groove either.

However don't appropriate our expression for it; here's what others acquire to say:

"Polarity/1 is a mellifluous duress unleashing some of the hippest beats and well timed lyric[s] on the scene" (MediaChannel.org).

"'Di Hard' is a medium beat groove with rapped and sung vocals, everything done by Polar apart from for exquisite backing vocals by Scott Parker Allen and Sabina Sciubba. The song is a indication on Princess Di's demise, the role of the media, and the times we living in, bent on without fitting sentimentalized or preachy. An attractive handle in a style that's mere dense to pull off" (Recording Magazine).

"Polar succeeds in his assignment of forcing you to recompense worry and not lull into the sounds you 'expect' to hear" (StarPolish.com).

The harmonization of Polarity/1 is right what the autograph suggestsв ""conjoined opposites," including the latest (cutting-edge electronica, hip-hop and nu-jazz) and the ancient (roots chin music of America, including blues, funk, community and early jazz, Brazil (samba, pagode, etc.) and West African groove science).

After a scarce elderliness of playing percussion in samba bands at S.O.B.'s and other venues. Polar landed in hip hop which combined his interests in grooves, samples and wordplay into one form. He and rapper D.A.V. became Medicine Crew. In the aftermath of 9/11, Polar was asked to engage in a remix of Nile Rodgers' We Are Family Project released on a compilation by Tommy Boy Records. His practice of 9/11 which was perpetrated in his neighbourhood led to a collaboration with multi-platinum Pakistan rock band Junoon resulting in their hit song 'No More'. John Hollander has choreographed four Polarity/1 compositions for Contemporary York's Battery Dance Company's fall season opening in Nov 2006 and has been touring extensively with the piece. In 2008, he scored "The Other Side" for the Quorum Ballet from Lisbon Portugal. P/1's distinct collaboration, Koko Dozo, released their headmost manual Illicit Time Aliens in Feb 2008.

And you can trial elsewhere Polarity/1 for yourself and gain how to invest in Yankin' the Cuisine Chain by heading to http://www.musicdish.net/polarity1/ or http://www.myspace.com/polarity1music